Dr. Comerford says of St. Joseph's Church, Baltinglass, that "The fine parochial Church of Baltinglass was built during the incumbency of Rev. Daniel Lalor, but chiefly through the exertions of his curate, Rev. John Nolan. the finishing and decoration of the interior were carried into effect by the Very Rev. Dr. Kane. The Altar of the B. Virgin is a memorial to Fr. Lalor, as the subjoined inscription indicates: 'Erected in memory of Rev. D. Lalor, P.P., whose enlightened munificence in the cause of education and religion deserves deep and abiding gratitude. Died, 24th January, 1871, aged 81 years. May he rest in peace.' The second side-altar has been erected in memory of Dr. Kane, and is dedicated to St. Philip Neri, his patron Saint. A monumental Brass records the fact: 'This altar has been erected principally by the Parishioners of Baltinglass, in grateful remembrance of the eminent talents, great services, and exalted religious sentiments of the Very Rev. Dr. Kane, P.P. of Baltinglass, and V.G. of Kildare and Leighlin. Died, 2nd July, 1883, in the 61st year of his age, and the 35th year of his Sacred Ministry.'"
The great Fr. Lalor was Parish Priest for 40 years from 1831 to 1871 and was succeeded immediately by Fr. Kane.
Fine is too small a word for the cavernous Church of Baltinglass, more worthy of the title of Cathedral than the edifice that bears it, in my humble opinion. Mercifully, the fittings remain almost intact and almost complete. The massive Altar rails have been moved back but retained and the predella of the High Altar is shortened but not by much. If 'Summorum Pontificum' had any application in that Parish, it would be a pleasure to serve Mass there.
The Church was one of the earliest designs of John Bourke, whose career was spent working almost exclusively for Church patrons but mostly additions or alterations, such as the restoration of Ballyconnell Church in Carlow in 1858, his only other work in this Diocese. The foundation stone was laid in 1846 and the Church substantially complete by 1854. The magnificent high altar and tower of 1872 are to the design of J.S. Butler, who also designed Churches in the Diocese at Raheen (1859), Mountrath (1861), Clogherinkoe (1861-2), Emo (1861-6), Broadford (1862-5), Allen (1866-8), tower at entrance of old Ss. Peter and Paul's Portlaoise (1872). The tower of St. Joseph's is strikingly similar to the 1810 tower of the earlier Catholic Church, which had to be detatched from the Church building because of the English Penal Regime.
The National Inventory of Architectural Heritage describes the Church as "Detached multiple-bay single-storey Roman Catholic church, built c.1860 in Early English Gothic style to designs by John Bourke. The building is constructed in mainly ashlar granite and is articulated with reducing buttresses and recessed bays. The plan is cruciform with gabled transepts and various porch and vestry projections. A five-stage clock and bell tower advances on the front symmetrical elevation. Front entrance doors are set to the side of the tower and are timber sheeted and set within Gothic-arched openings. Window openings are generally Gothic-arched lancet and often arranged in pairs. The pitched roof is finished with natural slate with cast-iron rainwater goods. Although reordered following the Second Vatican Council, the interior is well preserved and has retained the high altar and reredos along with stations of the cross and the gallery. The roof trusses are exposed. The building is set back behind a curved gate screen with paired square gate pillars with pyramidal caps and wrought-iron gates and matching railings. This is a well preserved example of a mid 19th-century church. It is a somewhat unusual choice of style for church of the period. It adds a bearing and dignity to the general area. The interior is particularly well preserved and has an impressive exposed trussed roof." I agree!
It's our Catholic heritage and we want it preserved!
Wall Street Journal: Why Christmas music starts so early
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My thanks to the Wall Street Journal, which published my op-ed in Monday's
print edition on Christmas music.Some excerpts:Radio Has the Christmas
Season Al...
1 hour ago
10 comments:
There is an uncomfortable contrast between the rich warm interior and the thrusting angular cold exterior.
The inscriptions are obviously formulaic but they must reflect both a strong link between priest and people and also a well-articulated image of priesthood. This is the spirit that needs to be recaptured if possible.
Worth looking at this discussion forum that contains a discussion on church architecture issues.
http://www.archiseek.com/forum/viewtopic.php?f=15&t=4691&p=114605#p114605
I spy a wooden cross without a body just to the right of the high altar. What an eloquent statement of the impoverishment of the Church. It cannot match the glories of its past nor even raise itself above a puritanical sterility, despite the surroundings.
I agree about the lack of a corpus, whether or not this was taken at Easter, is simply protestant anti-Incarnation rubbish. What struck me (surprised nobody else has commented on it) is how stunning is the church set against the hill. I looked up Baltinglass and I know that the church is maybe not as isolated as it appears but its still a stunning setting.
I was only ever once in this church. It is a prayerful place where you can feel the presence of God.
This raises an interesting point that falls between the two stools of extant churches and the ancient sites covered in your 'Standing Stone' series. There are a great many former churches of relatively recent vintage that have been abandoned in favour of the existing church. It would be a valuable exercise to try to make a survey of those.
I was disappointed by the response on archiseek.com but blogging is an essentially selfish exercise.
Really good post
It amazes me that a small country village like so many small country villages were able to raise such lavish church buildings. It is a beautiful church but wouldn't something simpler have sufficed?
Really stunning.
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